Masetto and his friends come in. Don Juan ranks alongside Don Quixote and Faust as one of Europe's founding myths, an archetypal figure who always provides food for thought and new ideas. He changes clothes with Leporello. Anna screams and unsuccessfully tries to discover the masked Giovanni’s identity. Elvira returns and tries to tell the others what kind of man he really is, but Giovanni tells them that Elvira is mad and takes her away. It requires a charasmatic bass-baritone (or bass) for the title role, another equally great bass-baritone with a comic flair (for Leporello), two great leading sopranos for two very difficult roles (Donnas Anna and Elvira), a flawless lyric tenor (Don Octavio), and a pair of appealing younger singers for Zerlina and Massetto. Don Giovanni is eating dinner. MASETTO Ach, Zerlina, behutsam! In Vienna, Mozart asked da Ponte for a libretto. Theater work includes Ugly Lies The Bone (National Theatre), The Nether (Royal Court) as well as the 2012 Olympic and Paralympic Closing Ceremonies. Three years later, he adapted a French play called The Marriage of Figaro to an opera libretto for Mozart. Delighted, Giovanni orders a huge party (“Finch’han del vino”) and goes off to prepare for it. He tells everyone that Leporello attacked Zerlina. Don Giovanni 1. Anna weist ihn zurück und begibt sich in den Schutz ihres Vaters, des Komturs. Peasants, musicians, dancers, chorus of demons. Their faces are covered with masks. It has been delighting audiences ever since its premiere in 1787. Giovanni comes back when they leave. They promise to bring the murderer to justice. Don Giovanni is set in and around Seville (now Sevilla), Spain, in the 17th century. They are struggling. Mar 14, 2016 - Opera Manifested Through Graphic Art. The two leave to get dinner ready. The two women leave together. Scene 1. Opening night : 11 June 2019. Scene 3. A cemetery in Seville. Don Giovanni – zwischen Bewunderung und Verdammung wird er von Mit- und Nachwelt stilisiert: zum sinnlichen Verführer, gefühllosen Zyniker, todbringenden Dämon, triebgesteuerten Egoisten, traurigen Engel oder zur stolzen Verkörperung menschlicher Selbstverwirklichung. Donna Anna lässt ihren Verlobten Don Ottavio schwören, den Tod ihres Vaters zu rächen. (This scene is cut in modern performances.) Don Giovanni is about a libertine and murderer who refuses to repent when given the chance. The Marriage of Figaro had its first performance in Vienna on May 1, 1786. [5] This play is the source of all the Don Juan stories and plays that were written after it. Leporello tells them that Giovanni has met his end. Mozart matches musical characteristics to various adjectives, so that petite women are portrayed with short notes and ladies of more grandeur are described with longer note values. Lorenzo da Ponte produced the first American performance of Don Giovanni in New York City in 1826.[14]. He has come to demand repentance of the villain; otherwise he is prepared to take Giovanni to hell. Don Giovanni, Oper in zwei Akten in Italienischer Sprache mit Musik von Wolfgang Amadeus Mozart. The characters whose songs shine through are those of the mourning and vengeful Donna Anna and her nemesis Don Giovanni. Hell opens. It quietly dies away as the curtain rises on the first act. Don Giovanni pulls Zerlina into another room. A VERSION INCLUDING ENGLISH SUBTITLES WILL SOON BE AVAILABLE. Veranstalter KölnMusik GmbH Ausdrucken; Abonnements und Angebote. A group of peasants are celebrating the engagement of Zerlina and Masetto. Da Ponte even used some words from it when he was writing Don Giovanni. She is looking for Don Giovanni. She thinks of her love for Don Giovanni. Updates? Scene 4. Don Giovanni Synopsis . She asks him not to say such things. Zerlina finds Masetto and comforts him. Der totgeglaubte Komtur erscheint. She is certain he will be punished. Wie oft hat er das schon getan! The ballroom in Don Giovanni's palace. Scene 5. 7:30. Friday November 8, 2019. Mozart wrote some new music for the Vienna performance. The libretto was written by Lorenzo da Ponte. Inhalt. He had placed hints at the beginning of the overture; the foreboding chords symbolize Giovanni’s fate and foreshadow the massive movement of the statue that will end the libertine’s adventures. As Giovanni dances with Zerlina, Leporello forces Masetto to dance, allowing Giovanni to drag Zerlina away. Vincent Canby wrote in the New York Times on November 6, 1979: " ... the climactic confrontation between the Don and the Commendatore is surprisingly tepid visually. Vincenzo Righini wrote an opera that was performed in Vienna and Prague in 1777 — ten years before Don Giovanni. Leporello, having made Giovanni promise not to punish him for speaking freely, tells him that his life is scandalous. He does not want to talk to them. He offers Giovanni one last chance to repent for his multitudinious improprieties. A quick, bright section in D major follows this slow passage. They are looking for Don Giovanni. They are pleased, and make plans for happier days. They hide behind a wall. Don Giovanni [1] is an Italian opera in two acts. Its first performance in England may have been an amateur performance. Don Giovanni was first performed in Vienna on May 7, 1788. Don Giovanni winkt ab, denn die nächste Eroberung steht an. After Giovanni and Leporello flee, Anna and her fiancé, Don Ottavio, swear vengeance upon the Commendatore’s mysterious killer. Masetto and Zerlina are going to the party. Jahrhunderts. As the duet begins, Giovanni and his prey have alternate verses, but, as the conquest ensues, they begin to blend in harmony, the music reflecting their emotional unity. Pre-opening night : 8 June 2019. "[15], He points to Ottavio's "Il mio tesoro", his "Dalla sua pace", and Anna's "Non mi dir" as each being a "magnificent opportunity for singer", but wonders how much they actually contribute to the drama. Music lovers in Vienna had heard good reports of Don Giovanni. As Abert summarized it, in spite of the finale, 'the point of the opera is not to proclaim a universal moral, but to depict the decisive battle between two tremendous forces. Mozart started work on this new opera. Sein untrüglicher Sinn sagt ihm, dass eine Frau in der Nähe ist. Leporello, servant to Don Giovanni, keeps watch outside the Commendatore’s home at night. Thursday, October 31, 2019. He beats Masetto and runs off. It was a great success. No one is fooled. Anna ruft um Hilfe, ihr Vater, der Komtur, stellt Don Giovanni und kommt bei der Konfrontation zu Tode. Language : Italian. Please select which sections you would like to print: Corrections? When Giovanni, pleased at the prospect of another conquest, approaches to comfort her, she recognizes him as the man who had abandoned her. Don Giovanni tötet den alten Mann und flieht mit seinem Diener Leporello. Scene 4. Directed by Kirk Browning. (Artist) Format: Audio CD. But Zerlina's "Batti, batti" and Anna's "Or sai chi l'onore" are quite different. When Elvira enters, Leporello is sent off with the lady. It was a comic opera. Don Giovanni. Sai ch'elle per me son necessarie più del pan che mangio, più dell'aria che spiro!” Opera Atelier is currently reviving its production of Mozart’s Don Giovanni that it premiered in 2011. The opera was first performed at the National Theatre in Prague on 29 October 1787. Another legend says Mozart's wife Constanze kept her husband awake with funny stories the night before the first performance so he could complete the overture to the opera. The masked Don Giovanni fools Donna Anna initially as she thinks he is her betrothed, Don Ottavio. New show. She is shocked with this suggestion. They go into the palace. Mozart and da Ponte probably knew the Goldoni play. Ottavio, Anna, and Elvira unmask and threaten Giovanni, who disarms Ottavio with his sword and keeps the mob away. This page was last changed on 27 August 2018, at 23:58. Buy Tickets. Carlo Goldoni wrote an Italian play in 1736. As his master tells of his latest flame, they spot a veiled woman walking along the road. Singers demanded them, the public expected them; and of course the aria ... is a potent operatic weapon, the moment for the composer to comment in depth on the drama he has set going. Royal Opera House’s Covent Garden revivals review: Don Giovanni and Werther. Under the artistic direction of maestro Sabatino Vacca, this relatively new company’s mandate is to promote “the magnificent world of operatic entertainment across Southern Ontario.” It has been exciting to watch SOLO operas develop from stand and sing, concert-form productions […] The music was written by Wolfgang Amadeus Mozart. Oper von Wolfgang Amadeus Mozart in zwei Akten. Richard Strauss. Opera Wolfgang Amadeus Mozart Book Subscribe Option booking This production is no longer available for subscription. Donna Elvira gehört bereits der Vergangenheit an, Donna Anna wird in ihrem Schlafgemach überrascht und Zerlina soll gar an ihrem Hochzeitstag verführt werden. No one other than Mozart can do it so well – opera soprano singer Seljan Nasibli tells Christine Manby The statue takes Giovanni's hand. Libretto von Lorenzo da Ponte (Wiener Fassung) Konzerthälfte (1) 18:00 – 19:30 | Konzerthälfte (2) 20:30 – 22:00. The curtain rose on the world premiere of Don Giovanni at the National Theatre in Prague on October 29, 1787. In 1979, Joseph Losey made a movie of the opera. George Grantham Bain Collection/Library of Congress, Washington, D.C. (LC-DIG-ggbain-35688) Baritone Ruggero Raimondi played Don Giovanni. When Zerlina’s screams are heard, interrupting the party, Masetto and the others rush to help her, but the door is locked. The three—Anna, Ottavio, and Elvira—are determined to expose Giovanni to everyone. Leporello relates how he got the villagers drunk and managed to lock Elvira out of the house. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. He runs away. https://www.operasense.com/don-giovanni-review-metropolitan-opera 7:30. Christof Loy's production stars Christopher Maltman as Don Giovanni, now a desperate and lonely anti-hero, always eluded by success. Don Giovanni takes an interest in a peasant girl named Zerlina. "Don Giovanni" in der Semperoper Dresden. CDN$ 155.51: CDN$ 11.99: Audio CD CDN$ 11.99 4 Used from CDN$ 11.99 1 New from CDN$ 155.51 Special offers and product promotions. Nach dem großen Erfolg von Figaros Hochzeit überredeten die Prager „ihren“ verehrten Wolfgang Amadeus Mozart noch einmal zu einer großen Don Giovanni is an Italian opera in two acts. In the garden outside Don Giovanni’s castle. Die "Oper aller Opern" Der Prager Impresario Pasquale Bondini hatte mit seiner Operngesellschaft 1786 Mozarts "Figaro" äußerst erfolgreich aufgeführt, nun - ein Jahr später - sollte nachgelegt werden: Mozart erhielt den Auftrag für eine neue Oper. Using Leporello as a shield, Giovanni escapes. Screen adapatation of Mozart's greatest opera. Add Da Ponte’s captivating drama to the familiar tunes, and you have an immortal opera that never fails to attract fresh interpretations. Amazon … Ottavio says she is cruel to him. But he detains Zerlina, to the annoyance of her fiancé, who is finally persuaded to go with the others. The guests are having a gay time. Scene 6. Commendatore rushes to her aid. “… a cast who sings like angels, acts like devils and thoroughly explores all the spiritual terrain in between.” – Toronto Star. The premiere of Don Giovanni took place to great public and critical acclaim in Prague on … The voice is coming from a statue of the murdered Commendatore. A duel ensues and Giovanni kills the Commendatore. Don Giovanni ladet die Mädchen, Leporello die Burschen, die soeben einen Tanz beendet, zum Sitzen ein. The Opera House Wellington - Wellington, NZ Wellington Opera - Mozart's opera Don Giovanni. Although Vienna’s audiences were less enthusiastic than Prague’s, Don Giovanni was appreciated by sophisticated music lovers there. He heartily welcomes the masked trio as they come in. Masetto stalks into the garden, ignoring Zerlina’s entreaties and accusing her of infidelity. The librettist was extremely busy writing for other composers at the Viennese court and decided to adapt an existing libretto on the subject of Don Juan. Saturday, November 2, 2019. It orders Giovanni to repent. Don Giovanni läuft rund zweihundert mal pro Spielzeit auf deutschen Bühnen. He sees Elvira and leaves. Recitativo “Orsù, spicciati presto” (“Come on now, hurry up”) from Act I, scene 4, of Mozart's, The aria “Madamina, il catalogo e questo” (“My dear lady, this is a list”); from Act I, scene 5, of Mozart's. He invites everyone to enter his castle to eat and drink. 3:00. [12], Don Giovanni was performed all over Germany. See all 3 formats and editions Hide other formats and editions. The two make up. [4] The most famous Don Juan play was The Playboy of Seville and His Stone Guest by a Spanish monk named Tirso de Molina. Ottavio has a pistol. The pieces sung by Don Giovanni can both roll as … Wählen Sie aus erstklassigen Inhalten zum Thema Don Giovanni in höchster Qualität. Giovanni sings a serenade. They promise again to bring him to justice. Das Libretto schrieb Lorenzo da Ponte. The Emperor ordered the opera to be produced at the Burgtheater. Richard Wagner bezeichnete Don Giovanni als “die Oper aller Opern“. It is about the character better known as Don Juan.The music was written by Wolfgang Amadeus Mozart.The libretto was written by Lorenzo da Ponte.The opera was first performed at the National Theatre in Prague on 29 October 1787. DON GIOVANNI UND LEPORELLO Dann beginnen wir wieder zu tanzen, Wirbeln lustig im Kreise herum. Leporello stays behind. ERSTER AKT Leporello ist des Wartens auf Don Giovanni, der sich einem Liebesabenteuer hingibt, überdrüssig. Scene 2. [16], From Simple English Wikipedia, the free encyclopedia, https://simple.wikipedia.org/w/index.php?title=Don_Giovanni&oldid=6234876, Creative Commons Attribution/Share-Alike License, 1934: Ezio Pinza (Don Giovanni), Rosa Ponselle (Donna Anna), Maria Müller (Donna Elvira), Edita Fleischer, (Zerlina) Tito Schipa (Don Ottavio), Virgilio Lazzari (Leporello), Louis D'Angelo (Masetto), Emanuel List (Commendatore); The Metropolitan Opera Orchestra and Chorus, Tullio Serafin - (Andromeda); (Live performance), 1936: John Brownlee (Don Giovanni), Ina Souez (Donna Anna), Luise Helletsgruber (Donna Elvira), Audrey Mildmay (Zerlina), Koloman von Pataky (Don Ottavio), Salvatore Baccaloni (Leporello), Roy Henderson (Masetto), David Franklin (Commendatore); Glyndebourne Festival Orchestra and Chorus, Fritz Busch - (EMI Classics), 1937: Ezio Pinza (Don Giovanni), Elisabeth Rethberg (Donna Anna), Luise Helletsgruber (Donna Elvira), Margit Bokor (Zerlina), Dino Borgioli (Don Ottavio), Virgilio Lazzari (Leporello), Karl Ettl (Masetto), Herbert Alsen (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Bruno Walter - (Urania); (Live performance), 1942: Ezio Pinza (Don Giovanni), Rose Bampton (Donna Anna), Jarmila Novotná (Donna Elvira), Bidu Sayão (Zerlina), Charles Kullman (Don Ottavio), Alexander Kipnis (Leporello), Mack Harrell (Masetto), Norman Cordon (Commendatore); The Metropolitan Opera Orchestra, Bruno Walter - (Andromeda); (Live performance), 1950: Tito Gobbi (Don Giovanni), Ljuba Welitsch (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Irmgard Seefried (Zerlina), Anton Dermota (Don Ottavio), Erich Kunz (Leporello), Alfred Poell (Masetto), Josef Greindl (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Wilhelm Furtwängler - (EMI Classics); (Live performance), 1955: Cesare Siepi (Don Giovanni), Suzanne Danco (Donna Anna), Lisa Della Casa (Donna Elvira), Hilde Gueden (Zerlina), Anton Dermota (Don Ottavio), Fernando Corena (Leporello), Walter Berry (Masetto), Kurt Böhme (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips - (Decca), 1958: Dietrich Fischer-Dieskau (Don Giovanni), Sena Jurinac (Donna Anna), Maria Stader (Donna Elvira), Irmgard Seefried (Zerlina), Ernst Haefliger (Don Ottavio), Karl-Christian Kohn (Leporello), Ivan Sardi (Masetto), Walter Kreppel (Commendatore); RIAS Kammerchor, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay - (Deutsche Grammophon), 1959: Eberhard Wächter (Don Giovanni), Joan Sutherland (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Graziella Sciutti (Zerlina), Luigi Alva (Don Giovanni), Giuseppe Taddei (Leporello), Piero Cappuccilli (Masetto), Gottlob Frick (Commendatore); Philharmonia Orchestra and Chorus, Carlo Maria Giulini - (EMI Classics), 1959: Cesare Siepi (Don Giovanni), Birgit Nilsson (Donna Anna), Leontyne Price (Donna Elvira), Eugenia Ratti (Zerlina), Cesare Valletti (Don Ottavio), Fernando Corena (Leporello), Heinz Blankenburg (Masetto), Arnold van Mill (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Erich Leinsdorf - (Decca), 1966: Nicolai Ghiaurov (Don Giovanni), Claire Watson (Donna Anna), Christa Ludwig (Donna Elvira), Mirella Freni (Zerlina), Nicolai Gedda (Don Ottavio), Walter Berry (Leporello), Paolo Montarsolo (Masetto), Franz Crass (Commendatore); New Philharmonia Orchestra & Chorus, Otto Klemperer - (EMI Classics), 1967: Dietrich Fischer-Dieskau (Don Giovanni), Birgit Nilsson (Donna Anna), Martina Arroyo (Donna Elvira), Reri Grist (Zerlina), Peter Schreier (Don Ottavio), Ezio Flagello (Leporello), Alfredo Mariotti (Masetto), Martti Talvela (Commendatore); Tschechischer Sängerchor Prag, Orchester Des Nationaltheaters Prag, Karl Böhm - (Deutsche Grammophon), 1968: Gabriel Bacquier (Don Giovanni), Joan Sutherland (Donna Anna), Pilar Lorengar (Donna Elvira), Marilyn Horne (Zerlina), Werner Krenn (Don Ottavio), Donald Gramm (Leporello), Leonardo Monreale (Masetto), Clifford Grant (Commendatore); The Ambrosian Singers, English Chamber Orchestra, Richard Bonynge - (Decca), 1973: Ingvar Wixell (Don Giovanni), Martina Arroyo (Donna Anna), Kiri Te Kanawa (Donna Elvira), Mirella Freni (Zerlina), Stuart Burrows (Don Ottavio), Wladimiro Ganzarolli (Leporello), Richard Van Allan (Masetto), Luigi Roni (Commendatore); Chorus and Orchestra of the Royal Opera House, Covent Garden, Colin Davis - (Philips), 1977: Sherrill Milnes (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Teresa Żylis-Gara (Donna Elvira), Edith Mathis (Zerlina), Peter Schreier (Don Ottavio), Walter Berry (Leporello), Dale Duesing (Masetto), John Macurdy (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm - (Deutsche Grammophon), 1978: Bernd Weikl (Don Giovanni), Margaret Price (Donna Anna), Sylvia Sass (Donna Elvira), Lucia Popp (Zerlina), Stuart Burrows (Don Ottavio), Gabriel Bacquier (Leporello), Alfred Sramek (Masetto), Kurt Moll (Commendatore); London Opera Chorus, London Philharmonic Orchestra, Georg Solti - (Decca), 1983: Thomas Allen (Don Giovanni), Carol Vaness (Donna Anna), Maria Ewing (Donna Elvira), Elizabeth Gale (Zerlina), Keith Lewis (Don Ottavio), Richard Van Allan (Leporello), John Rawnsley (Masetto), Dimitri Kavrakos (Commendatore); Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink - (EMI Classics). 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